Discussions of the Association of Galleries during the XV Krasnoyarsk Museum Biennale
Schedule of Discussions
Sat-Sun, October 28, 2023 - October 29, 2023
Development of the Regional Art Market: Follow Moscow or Choose Original Path?
The first public talk is dedicated to
the development of the regional art market. The focus of the discussion identified subjects of the art market in the region and various ways of growth.
Discussion participants:
Moderator
Polina Tolokova
Speakers
Pierre-Christian Brochet
Elena Zdorova
Alexander Sharov
October 28, 12:30-13:30
the development of the regional art market. The focus of the discussion identified subjects of the art market in the region and various ways of growth.
Discussion participants:
Moderator
Polina Tolokova
Speakers
Pierre-Christian Brochet
Elena Zdorova
Alexander Sharov
October 28, 12:30-13:30
How Can an Artist from the Region Build a Career? Current Ways of Promotion.
The second meeting narrows the issue down to the artist's interregional career. After discussing existing career tools there was a portfolio review. Artists from Krasnoyarsk were able to discuss their works with leading gallerists, including Alexander Sharov (founder of 11.12 galleries, Moscow) and Anastasia Panova (FUTURO gallery, Nizhny Novgorod).
Discussion participants:
Moderator
Oksana Budulak
Speakers
Anastasia Panova
Sanya Zakirov
Vladimir Nasedkin
Polina Tolokova
October 28, 14:00-15:00
Discussion participants:
Moderator
Oksana Budulak
Speakers
Anastasia Panova
Sanya Zakirov
Vladimir Nasedkin
Polina Tolokova
October 28, 14:00-15:00
Cultural Fundraising in Turbulent Times: Is it Possible?
The third and the final discussion raised an issue that is relevant for the entire cultural industry - fundraising. Raising funds for the arts was considered in the context of the current economic and social situation.
Discussion participants:
Moderator
Evgenia Getinger
Speakers
Pierre-Christian Brochet
Yulia Petrova
Nikita Korytin
October 29, 13:00-14:00
Discussion participants:
Moderator
Evgenia Getinger
Speakers
Pierre-Christian Brochet
Yulia Petrova
Nikita Korytin
October 29, 13:00-14:00
About discussions
Development of the Regional Art Market: Follow Moscow or Choose Original Path?
The contemporary art agenda in the region is growing every year. Important stimuluses were the years 2020 and 2022, when restrictions on international development turned all the power of cultural actors to the Russian regions.
In Krasnoyarsk there is the oldest biennale, in Vladivostok there is the Arka gallery, whose age is equal to the age of the entire Russian art market. And now, when an increasing number of institutions, partners and individuals are actively involved in regional art, the question arises: will the regional contemporary art have its own development path or does it need to adopt already proven models of Moscow or St. Petersburg?
The discussion will focus on the issue of the art market, which, despite its commercial component, is the most important element in the functioning of the entire artistic environment. The lineup of speakers should outline various approaches to the problem raised: Alexander Sharov is the founder of the Moscow's Gallery 11.12, which has a branch in Singapore and now represents artists from various cities, Elena Zdorova is the founder of the Gvozd gallery in Novosibirsk, Pierre Brochet is a collector who has vast experience working with the regions of Russia. Moderator – Polina Tolokova – director of the Association of Galleries, which has been systematically supporting the art market in the country since 2020.
How Can an Artist from the Region Build a Career? Current Ways of Promotion.
Despite the active development of the regional agenda, a somehow established art market still functions only in Moscow. At first glance, the goals of promoting an emerging artist seem obvious: getting into a reputable gallery, going through institutional residencies and workshops, being shown at a fair, and so on. But in practice, everything is much more complicated: how to form a price if Moscow pricing is not relevant for the region? How can an artist live in a hometown if there is no developed art market and no income? How to cope with the problems of expensive logistics, insurance and other difficulties associated with geographical remoteness?
To update existing ways of promotion, identify their shortcomings and jointly find a solution, we gathered speakers with different points of view. Anastasia Panova, the founder of the Nizhny Novgorod gallery Futuro, which represents artists from different regions of Russia, has invaluable experience in dealing with these problems. Polina Tolokova – director of the Association of Galleries, which has been systematically supporting the art market in the country since 2020. Sanya Zakirov and Vladimir Nasedkin are artists with different backgrounds who know from their own experience all the difficulties of an artist's career. Moderator – Oksana Budulak – curator, art critic, head of the sector of curatorial practices at The Ploschad Mira Museum Center, has been promoting artists for almost 15 years.
Cultural Fundraising in Turbulent Times: Is it Possible?
The most pressing issue for institutional participants in the art market is fundraising. Whatever model of development of the art market we focus on: Asian, American, European - the main driving force is always raising funds. But in our practice this culture is not sufficiently developed. Institutions (museums, galleries, foundations and others) have been looking for sponsors for years who are ready to support the implementation of projects and the development of artists.
In recent years the situation has become even more complex. What fundraising trends are there today? Where to look for sponsors, what to offer them? Does the Russian economy have the potential to involve large corporations in systematically supporting art?
Experts from major institutions shared their experience and made an attempt to protect listeners from potential mistakes. Yulia Petrova is the director of the Museum of Russian Impressionism, which not only collaborates with major partners, but also accepts online donations. Pierre Brochet is a collector who has vast experience working with the regions of Russia. Nikita Korytin is director of the Yekaterinburg Museum of Fine Arts, which works with major partners and receives various grants. Moderator – Evgenia Getinger – art historian, art consultant, lecturer at the British Higher School of Design and the Moscow School of Contemporary Art.
The contemporary art agenda in the region is growing every year. Important stimuluses were the years 2020 and 2022, when restrictions on international development turned all the power of cultural actors to the Russian regions.
In Krasnoyarsk there is the oldest biennale, in Vladivostok there is the Arka gallery, whose age is equal to the age of the entire Russian art market. And now, when an increasing number of institutions, partners and individuals are actively involved in regional art, the question arises: will the regional contemporary art have its own development path or does it need to adopt already proven models of Moscow or St. Petersburg?
The discussion will focus on the issue of the art market, which, despite its commercial component, is the most important element in the functioning of the entire artistic environment. The lineup of speakers should outline various approaches to the problem raised: Alexander Sharov is the founder of the Moscow's Gallery 11.12, which has a branch in Singapore and now represents artists from various cities, Elena Zdorova is the founder of the Gvozd gallery in Novosibirsk, Pierre Brochet is a collector who has vast experience working with the regions of Russia. Moderator – Polina Tolokova – director of the Association of Galleries, which has been systematically supporting the art market in the country since 2020.
How Can an Artist from the Region Build a Career? Current Ways of Promotion.
Despite the active development of the regional agenda, a somehow established art market still functions only in Moscow. At first glance, the goals of promoting an emerging artist seem obvious: getting into a reputable gallery, going through institutional residencies and workshops, being shown at a fair, and so on. But in practice, everything is much more complicated: how to form a price if Moscow pricing is not relevant for the region? How can an artist live in a hometown if there is no developed art market and no income? How to cope with the problems of expensive logistics, insurance and other difficulties associated with geographical remoteness?
To update existing ways of promotion, identify their shortcomings and jointly find a solution, we gathered speakers with different points of view. Anastasia Panova, the founder of the Nizhny Novgorod gallery Futuro, which represents artists from different regions of Russia, has invaluable experience in dealing with these problems. Polina Tolokova – director of the Association of Galleries, which has been systematically supporting the art market in the country since 2020. Sanya Zakirov and Vladimir Nasedkin are artists with different backgrounds who know from their own experience all the difficulties of an artist's career. Moderator – Oksana Budulak – curator, art critic, head of the sector of curatorial practices at The Ploschad Mira Museum Center, has been promoting artists for almost 15 years.
Cultural Fundraising in Turbulent Times: Is it Possible?
The most pressing issue for institutional participants in the art market is fundraising. Whatever model of development of the art market we focus on: Asian, American, European - the main driving force is always raising funds. But in our practice this culture is not sufficiently developed. Institutions (museums, galleries, foundations and others) have been looking for sponsors for years who are ready to support the implementation of projects and the development of artists.
In recent years the situation has become even more complex. What fundraising trends are there today? Where to look for sponsors, what to offer them? Does the Russian economy have the potential to involve large corporations in systematically supporting art?
Experts from major institutions shared their experience and made an attempt to protect listeners from potential mistakes. Yulia Petrova is the director of the Museum of Russian Impressionism, which not only collaborates with major partners, but also accepts online donations. Pierre Brochet is a collector who has vast experience working with the regions of Russia. Nikita Korytin is director of the Yekaterinburg Museum of Fine Arts, which works with major partners and receives various grants. Moderator – Evgenia Getinger – art historian, art consultant, lecturer at the British Higher School of Design and the Moscow School of Contemporary Art.
For the Association of Galleries, two days of discussions in Krasnoyarsk are an important element of the strategic development of the art market. Gallerists - members of the AGA - annually choose priority areas of activity for the Association. In 2023, raising public awareness of the arts and a regional agenda were chosen. Within the framework of this strategy following activities were carried out: the media forum AGA at Cosmoscow, discussions in Nizhny Novgorod and Vladivostok, an educational program about collecting in Moscow. During the Krasnoyarsk lecture the Association also celebrated its third anniversary.
This educational program is organized in cooperation with the Siberian Institute for the Development of Creative Industries. Despite its young age, the Institute has implemented a number of important initiatives for the development of contemporary art in the Krasnoyarsk region. Among them are training in the field of contemporary art, organization of exhibitions, special projects to popularize art and the opening of its own exhibition space.
This educational program is organized in cooperation with the Siberian Institute for the Development of Creative Industries. Despite its young age, the Institute has implemented a number of important initiatives for the development of contemporary art in the Krasnoyarsk region. Among them are training in the field of contemporary art, organization of exhibitions, special projects to popularize art and the opening of its own exhibition space.
When: October 28 and 29
Where: Krasnoyarsk, creative space "Industry" (Ady Lebedeva St., 93B)
Admission: free, by registration
Where: Krasnoyarsk, creative space "Industry" (Ady Lebedeva St., 93B)
Admission: free, by registration
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info@agarussia.art
105120, Moscow, 4th Syromyatnichesky lane,1/8, b.3, 1/4, 3rd floor, room 1
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1. General provisions This personal data processing policy is compiled in accordance with the requirements of Federal law No. 152-FZ of 27.07.2006 "on personal data" and defines the procedure for processing personal data and measures to ensure the security of personal data taken by the gallery Association (hereinafter referred to as the Operator).
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8.1. the User can get any clarification on issues of interest related to the processing of their personal data by contacting the Operator via email info@agarussia.art.
8.2. This document will reflect any change in the policy of processing of personal data by the Operator. The policy is valid indefinitely until it is replaced with a new version.
8.3. the Current version of the Policy is freely available on the Internet at https://agarussia.art/association_en
1. General provisions This personal data processing policy is compiled in accordance with the requirements of Federal law No. 152-FZ of 27.07.2006 "on personal data" and defines the procedure for processing personal data and measures to ensure the security of personal data taken by the gallery Association (hereinafter referred to as the Operator).
1.1. The operator aims and the realization of its activities the rights and freedoms of man and citizen during processing of personal data, including protection of rights to inviolability of private life, personal and family privacy.
1.2. this Operator's policy on personal data processing (hereinafter referred to as the Policy) applies to all information that the Operator can obtain about website visitors https://agarussia.art/association_en
2. Main concepts used in the Policy
2.1. Automated processing of personal data – processing of personal data using computer technology;
2.2. Blocking of personal data – temporary termination of processing of personal data (except for cases when processing is necessary to clarify personal data);
2.3. Website – a set of graphic and informational materials, as well as computer programs and databases that ensure their availability on the Internet at the network address https://agarussia.art/association_en
2.4. personal data Information system — a set of personal data contained in databases, and information technologies and technical means that ensure their processing;
2.5. Depersonalization of personal data — actions that make it impossible to determine the identity of personal data to a specific User or other personal data subject without using additional information;
2.6. personal data Processing – any action (operation) or set of actions (operations) performed with or without the use of automation tools with personal data, including collection, recording, systematization, accumulation, storage, clarification (update, change), extraction, use, transfer (distribution, provision, access), depersonalization, blocking, deletion, destruction of personal data;
2.7. Operator – a state body, municipal body, legal entity or individual that independently or jointly with other persons organizes and (or) performs the processing of personal data, as well as determines the purposes of processing personal data, the composition of personal data to be processed, actions (operations) performed with personal data;
2.8. Personal data – any information related directly or indirectly to a specific or identifiable User of the website https://agarussia.art/association_en;
2.9. User – any visitor to the website https://agarussia.art/association_en;
2.10. Provision of personal data – actions aimed at disclosure of personal data to a certain person or a certain circle of persons;
2.11. Dissemination of personal data – any actions aimed at disclosure of personal data to an indefinite circle of persons (transfer of personal data) or at familiarization with personal data of an unlimited number of persons, including disclosure of personal data in the mass media, placement in information and telecommunications networks, or providing access to personal data in any other way;
2.12. cross-Border transfer of personal data – transfer of personal data to the territory of a foreign state to a foreign state authority, a foreign individual or a foreign legal entity;
2.13. Destruction of personal data – any actions as a result of which personal data is irrevocably destroyed with the inability to further restore the content of personal data in the personal data information system and (or) the material carriers of personal data are destroyed.
3. the Operator can process the following personal data of the User
3.1. Surname, first name, patronymic;
3.2. E-mail address;
3.3. Phone numbers;
3.4. Also on the website, the collection and processing of anonymous data about visitors (including "cookies") through the services of Internet statistics (Yandex Metric and Google Analytics and others).
3.5. the above-Mentioned data, hereinafter referred to as the Policy, is combined under the General concept of Personal data.
4. Purposes of personal data processing
4.1. The purpose of processing the User's personal data is to inform the User by sending emails; to provide the User with access to the services, information and/or materials contained on the website.
4.2. the Operator Also has the right to send notifications to the User about new products and services, special offers and various events. The user can always refuse to receive information messages by sending an email to the Operator info@agarussia.art marked "Unsubscribe from notifications of new products and services and special offers".
4.3. Depersonalized User data collected through Internet statistics services is used to collect information about User actions on the site, improve the quality of the site and its content.
5. Legal grounds for processing personal data
5.1. the Operator processes the User's personal data only if they are filled in and / or sent by the User independently through special forms located on the site http://agarussia.art. By filling out the appropriate forms and / or sending your personal data to the Operator, the User agrees to this Policy.
5.2. the Operator processes depersonalized data about the User if this is allowed in the User's browser settings (saving cookies and using JavaScript technology is enabled).
6. Procedure for collection, storage, transfer and other types of personal data processing the Security of personal data processed by the Operator is ensured by implementing legal, organizational and technical measures necessary to fully comply with the requirements of current legislation in the field of personal data protection.
6.1. the Operator ensures the safety of personal data and takes all possible measures to exclude access to personal data of unauthorized persons.
6.2. the User's Personal data will never, under any circumstances, be transferred to third parties, except in cases related to the implementation of current legislation.
6.3. if inaccuracies in personal data are detected, the User can update them independently by sending a notification to the Operator's email address info@agarussia.art marked "Updating personal data".
6.4. The term of processing of personal data is unlimited. The user can withdraw their consent to the processing of personal data at any time by sending a notification to the Operator via email to the Operator's email address info@agarussia.art marked "Withdrawal of consent to the processing of personal data".
7. cross-Border transfer of personal data
7.1. prior to the start of cross-border transfer of personal data, the Operator must ensure that the rights of personal data subjects are reliably protected by the foreign state to which the transfer of personal data is intended.
7.2. cross-Border transfer of personal data on the territory of foreign States that do not meet the above requirements can only be carried out if the personal data subject agrees in writing to cross-border transfer of his/her personal data and / or performs the contract to which the personal data subject is a party.
8. Final provisions
8.1. the User can get any clarification on issues of interest related to the processing of their personal data by contacting the Operator via email info@agarussia.art.
8.2. This document will reflect any change in the policy of processing of personal data by the Operator. The policy is valid indefinitely until it is replaced with a new version.
8.3. the Current version of the Policy is freely available on the Internet at https://agarussia.art/association_en
